I wish........
That plans were afoot to compile a definitive live audio collection for The Who. A project was mooted as the culmination of the re-isueing of the band's recorded catalogue. However, as with so many great ideas, it was shelved.
As will be borne out by Murray Lerner's film of the band in 2006/7, The Who are the greatest live band. Testament to this can easily be found from the "The Kids Are Alright" film and the stunning "Live At Leeds" album, but in terms of a career retrospective, we are still falling well short of the mark.
I created my own little 3 x CD set at the beginning of the year (sad bastard that I am) which takes in material from 1966 - 1976. I tried to use as much soundboard material as I could, however I have always loved the quirkiness of the audience bootleg tape and included a fair share of that too. It goes along the lines of Fairport Convention's "Fairport UN-conventional" box set in terms of interspersing top notch sound with material of a less-listenable nature.
Releasing every show from both the 2002 and 2004 tours was a praiseworthy project, however, I would have thought it more beneficial and *IMPORTANT* to start getting material out there that both celebrates and enhances the band's reputation.
Why am I saying all this? Not because *I* want product out there, but because I want the bands name writ large in the minds of people that love live recorded material.
That plans were afoot to compile a definitive live audio collection for The Who. A project was mooted as the culmination of the re-isueing of the band's recorded catalogue. However, as with so many great ideas, it was shelved.
As will be borne out by Murray Lerner's film of the band in 2006/7, The Who are the greatest live band. Testament to this can easily be found from the "The Kids Are Alright" film and the stunning "Live At Leeds" album, but in terms of a career retrospective, we are still falling well short of the mark.
I created my own little 3 x CD set at the beginning of the year (sad bastard that I am) which takes in material from 1966 - 1976. I tried to use as much soundboard material as I could, however I have always loved the quirkiness of the audience bootleg tape and included a fair share of that too. It goes along the lines of Fairport Convention's "Fairport UN-conventional" box set in terms of interspersing top notch sound with material of a less-listenable nature.
Releasing every show from both the 2002 and 2004 tours was a praiseworthy project, however, I would have thought it more beneficial and *IMPORTANT* to start getting material out there that both celebrates and enhances the band's reputation.
Why am I saying all this? Not because *I* want product out there, but because I want the bands name writ large in the minds of people that love live recorded material.